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Monday 23 April 2012

Crime and Punishment Journals

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Crime and Punishment Journal Part 1


At this point in the novel Raskolnikov’s character does not seem to be up to the full potential of an “extraordinary man”. Raskolnikov’s appearance was worse then shabby, “he was so badly dressed that even a man accustomed to shabbiness would have been ashamed to be seen in the streets with such rags.” (). Also he is not a stable man because he has grown a habit of talking to himself, and his conscience is always second-guessing himself, also showing that his mind is not in the right state to be an “extraordinary man” and take the next step. He does not believe it himself that he is up to the challenge of killing the old pawn broker. He even had doubt about killing the pawnbroker during his experiment; he still believed it was a crime.


In addition, Raskalnikov’s dream about the horse being tortured when he was little shows it has always been kind of an instinct inside of Raskolnikov to help others in need. His first reaction when he sees a person in distress is to help no matter what the cost for him, such as when he gave money to Marmeladov even though he could not afford it and giving money for the wasted girl to get a cab even though the money did not go to the cab fair. This shows that Raskolnikov plans to help were not prepared well enough to come out the way he wanted. Such as the murder of the old pawnbroker, Raskolnikov was still ill and becoming delirious yet he was so eager to step over that he went through with the plan unprepared, which he realizes after the murder. So as of this point Raskalnikov’s character could be characterized as a “wanna-be extraordinary man”, or an “extraordinary man in the making”, he is not yet an “extraordinary man”.


Crime and Punishment Journal Part


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Following the murder Raskolnikov becomes very paranoid. He is always suspecting that someone has found out what he has done and has turned him in to the police. Even though he was exhausted, he could not sleep because he kept remembering things he forgot to do, like get rid of evidence, “How could I go to sleep with nothing done?” (86). Also at every site of blood Raskolnikov would go into a frenzy as if he had strong hatred for the blood, like at every trace of blood that he found on him, he cut to shreds and held them tightly as if it were his treasures, “Look at the rags he’s collected and sleeps with them as if he has got a hold of a treasure…”(8). Though in Chapter 7 of Part , when he gets splattered with Marmeladov’s blood from helping him to Sonia’s house, makes him determined to live.


Throughout Part , Raskolnikov contemplates confession about ten times. He wants to confess because never ending thought of being caught was tormenting it to the point where at time he wanted to give up and punish himself and accept the crime that he did. But that would mean that accepting that he did not live up to his theory. Though Raskolnikov gets up right away and tries to return to his life thinking in his mind that he is well, but then he faints at the police station when he hears of the murder, and at the end of he part when he sees his mother and his sister. Raskolnikov knows what he has to do to fulfill his theory but his emotions overwhelm him at times.


Raskolnikov needed a new suit and some money to go on with life, which he got, and with his money, the little that he had, still gave to those in need of it, because he saw that he did not need the money. This also made him realize that he did not murder for money or to help mankind. But he still is not willing to accept that so he goes to other people like Zametov to “confess” and see what he thinks, showing that he still had a need for human contact and that he was not independent, therefore not fulfilling his theory.


Crime and Punishment Part


During Raskolnikov’s first thoughts of murder he felt a sense of alienation, he disliked society, he dreaded meeting people and being around people, “he had become so completely absorbed in himself, and isolated from his fellow that he dreaded meeting, not only his landlady, but anyone at all.”(1) He felt this way because he felt that he was superior to all others because he thought of himself as an “extraordinary man”. Though even in the beginning of his senses of alienation he could not stand it, he had sudden urges to be with people, like when he decided to go into the tavern, in Part 1.


After the murders, when he became ill, Raskolnikov began pushing away from people such as, Razumihin who wanted to help him and keep him company while he was ill, “you too, you want to torture me!”(5). He was annoyed that they were always there. He also feels irritated by his mother and sister, at their first brief meeting he tells them to leave him, “Go home…with him…Don’t torture me!”(18) During their second encounter he again sensed alienation even though he was being in more control of his feelings, “He saw that every word of the following conversation seemed to touch on some sore place and irritate it.”(07) His mother and his sister, Dounia seemed to be afraid of him now, “he’s so strange! He’s talking kindly, but I’m afraid!”(10) And Raskolnikov is aware of it, “It is as if they were afraid of me”(1) Also later during his self analysis he sees what alienation has done to him, “’Mother, sister�how I loved them! Why do I hate them now? Yes, I hate them.’”(56)


In Raskolnikov’s dream he sees everyone watching him huddled together in silence watching him with expectation. And he did not know why he is alienated to a point where he cannot take it and wakes up screaming.





Crime and Punishment Journal Part 4


The very first seen of Part 4 begins with the meeting of Raskolnikov and Svidrigailov. Raskolnikov is shocked to find Svidrigailov in his room, “Can this still be a dream?”(61) Svidrigailov has come to see Raskolnikov on two reasons, one, to make his personal acquaintance, second, to ask for Raskolnikov’s help in his pursuit of Dounia. Raskolnikov, of course, refuses to help him contact Dounia, “We dislike you. We don’t want to have anything to do with you.” (6) Svidrigailov still pursues and says that him and Raskolnikov have something in common, Raskolnikov is curious so he stays and has a conversation with Svidrigailov on numerous subjects, such as Svidrigailov seeing ghosts of his wife Martha Petrovna, and how he was “involved” with her death, also about his plans for the future, getting married, going on a journey, and some money he wanted to give to Dounia. The scene ends with Svidrigailov leaving with words of his wanting to see Dounia.


This scene shows how Svidrigailov is similar to Raskolnikov; he is caught in a similar predicament as Raskolnikov, because he too has “murdered”, Martha Petrovna. It also seems that he too is suffering from alienation, “’I expect you’ve not talked to anyone for some days?’…’Scarcely anyone.’”(64) He also seems to be ill, because lately he has been seeing ghosts of Martha Petrovna, “I agree that ghosts only appear to the sick.”(68) In addition, Svidrigailov seems to be losing his senses because he quickly forgets about thing he has just talked about, like his journey. So in a sense Svidrigailov is dealing with the same situation as Raskolnikov, but in the end it seems that the mental effect is too much for him.


Crime and Punishment Journal Part 5


In this section of the novel Dostoyevsky begins to show the real side of characters, he begins to strip away the façade from his characters and reveals the true nature in them. One character in particular in this part that’s real self is come to light is Lebeziatnikov. This part showed that he was, “so good natured”(8); he is not a fully developed human but has some intellect and interest in the subject of “communes” and protests. As well, gave his side to the story of all the accusations made about him, like fighting with Katerina Ivanovna. In fact, Lebeziatnikov felt compassion towards Sonya, “no one has ever treated her more courteously than I, with more respect for her dignity.”(4)


Another emotion that seems to arise in Lebeziatnikov is his hatred for Luzhin, “he too was beginning to dislike Pyotr Petrovitch.”(8) Lebeziatnikov feeling towards Luzhin change from yesterday because now he is beginning to see how Luzhin acts. During Lebeziatnikov’s speech, Luzhin throughout laughed and did not take the subject seriously as opposed to the speaker. Another aspect that that irritated Lebeziatnikov about Luzhin is his constant teasing, reminding Lebeziatnikov of his inferiority and the great difference between them. And in the end, Lebeziatnikov ends up confronting Luzhin of slipping a hundred roubles into Sonya’s pocket, therefore saving face for Sonya and revealing how low Luzhin has become.


Crime and Punishment Journal Part 6


The significance of the quote said by Sonia to Raskolnikov when she finds out what he has done, “Go now. Go this very moment, and stand at the crossroads; bow down, and first kiss the earth which you have defiled; then bow down to the whole world, to the four points on the compass, and say aloud, for all men to hear I have killed! Then God will send you life again.”(88), is to represent that Raskolnikov has ended his sufferings and turned himself in. With this statement Sonya also gives Raskolnikov a cross to wear when he goes to confess. The cross signifies his acceptance of God, and his belief that “God will send life again”, also when he is bowing down it is said that, “He is going to Jerusalem, and saying goodbye”(485).


The very will of Raskolnikov to go to crossroads and take on his fate, shows that he has accepted the fact that he has done a crime and now he must confess and take on what sentence is given to him, also accepting that he is not an “extraordinary man”, and cannot take any more of the torment caused by trying to live up to his theory. The act of him bowing down and kissing the earth, signifies that he is saying goodbye to his life now and bowing down to the whole world to show that he does not have as much pride as he had before, because his bowing provoked laughter by watchers, showing again how he accepts that he is not valid for his theory.





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