HOW EFFECTIVELY DID IAN McKELLEN’S FILM OF RICHARD III INTERPRET THE MAIN CONCERNS OF SHAKESPEARE’S PLAY?

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Richard III is a tale of royal intrigue and one man’s lust for the power of the British throne. It is updated from 15th century costume drama to a 10’s political thriller. McKellen’s film interprets the main concerns very effectively. McKellen attacks the title role and shows Richard as an extremely evil character. The film also portrays the main characteristics of relationships between characters for example the loyalty and betrayal. Manipulation is also a key element in the play.


McKellen as an actor and director showed Richard to be the epitome of evil. His capacity and relish for evil causes viewers to almost doubt his sanity. Richard of Gloucester dreams, schemes and murders his way to the top in the dark society put before us. McKellen serving as the film’s narrator and commentator instantly suited this troubled world. His narrations often showed him as a severely unhinged character, as he often had a menacing look on his face. McKellen’s narrations are often of Richard’s intentions and plans and is a mechanism of foreshadowing events. McKellen said “Richard, the consummate liar, always speaks the truth to the audience, but only to them. That is meant to be disarming for an audience because they alone are privy to what he intends to do, and they become accomplices (in) his schemes.” This was effective mechanism for drawing the audience in and getting them to feel uneasy about what Richard was doing. The contrast between Richard’s character and the big band swing music played throughout the film is effective in creating the mood of Richard. Although he is unnervingly evil, he takes pride in this quality and enjoys working towards what he wants. The music works alongside him delving further into his capacity for evil; it portrays the enjoyment he reaps as if having people murdered is like a hobby. The train also works in showing Richard’s extreme villainy, the whistle being a symbol of the pain victims and people close to them feel. An example of this is when Rivers is murdered while with a Pan-Am air hostess. The hostess lets out an ear piercing scream which is continued by the ear piercing sound of the train whistle.







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