RETROSPECTOLOGY: The world according to Patricia Piccinini

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“Patricia Piccinini is an artist of our time and gives visual form to some concepts that concern us all mainly the scientific ethics of the use of stem cells and cloning. Her work is confronting and even shocking.”

This statement is interesting, firstly, in that it is not grammatically correct. Therefore, it can be interpreted in many ways. My own personal interpretation of this statement is that it is true � to a certain extent.

Patricia Piccinini is an artist of our time � and some of her works do mainly focus on the ethics of embryonic stem cell usage, cloning, and genetic manipulation. However, the ways in which her works are confronting, or shocking, can be explored in many ways.




One of the works that I found most interesting was the first one that I encountered � Still Life with Stem Cells, a sculptural work depicting a young girl, startlingly real to life, playing with objects clearly identifiable as humanoid by their shape and human characteristics � a depiction of the manipulation of undifferentiated stem cells.

A question that must be posed regarding this work however, is that of Piccinini’s choice in the manifestation of her subject matter. Why is it a little girl playing with the embryonic stem cells, why are the stem cells portrayed so hideously?

Piccinini’s work is unique in that it neither condones nor condemns this new technology that confronts us today. Instead, it provides us with insight into issues that we may not have considered before. In “Still Life” one may ask if the little girl was a deliberate warning against this technology being something like a knife in a child’s hands. Yet it is not presented in a way which deliberately states this � rather it allows room for vast interpretation � prompting the viewer to consider the issue in more than one way.

Another of her interesting pieces is that entitled “Protein Lattice,” comprising of a series of glossy images overlooking several sets of TV monitors. It is perhaps in this piece that Piccinini’s skill and diversity in regard to the themes of her artwork is portrayed to its full extent. In the images, beautiful young women are showed in all their perfection, yet surrounded by the grotesque forms of the infamous rats with human ears attached to their backs. This paradoxical combination is startling in the messages that it conveys. The model’s artificial, computer generated beauty, compared with the hideous, genetically engineered mutant rats, seems eerily similar, a juxtaposition that forces us to confront the implications of genetic engineering, and what it can produce. Again, the ingenuity of Piccinini’s work is that it does not specifically say anything � in its ambiguity, its messages are conveyed perhaps more clearly than if they had been written in bold. It is possible, that generally, people tend to believe more in a concept when they are allowed to reach their own conclusions about it, rather than be forced to accept something as it has been presented to them.

In the process of making her works, Piccinini combines sophisticated computer technology with her own visualisations, a statement in itself as to the power of technology in the transformation of one thing to another, or even to simply modify it, make it perfect. Most of her pieces are first created virtually in the computer and then brought to life in a three dimensional form. Her utilisation of this technique, along with her combined works gives thought to what people may take for granted as real. What is real - A question that is asked in every one of her pieces.

In terms of space, lighting, and painted information, the exhibition is displayed with as much flawless perfection as the actual pieces, so much so that within moments of stepping into its boundaries, one cannot help wondering if one has gone into a completely different dimension where the warped, the beautiful and the hideous permeate the world in twisted combinations.

The exhibition, for the most part, is dimly lit, with only specific points of focus illuminated brightly, so as to draw attention to those parts. Other, more darker displays are only dimly lit, yet draw a perverse attention as curiosity overcomes repulse and those who can stand to look do so. The entire exhibition has an air of being glossed over, smoothed, air brushed, and the catalogue is much the same, a digital two dimension recapture of the three dimensional model.

Federation Square was as controversial in its displays as the ACCA was � but in a completely different way. Many critics would have considered many of the artworks displayed at the Gallery blasphemous � something that would not have been completely unknown to the exhibition at the ACCA. Yet whereas the ACCA focused on one artist and one theme, the Gallery displayed much more varied pieces. Each was interesting in its own way to look at � how people would have related to the works of art would have depended on their own personal beliefs. How they related to each other would have depended on their past experiences � and their current opinions and values.



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NightHawks

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This is a painting done by William Harnett. The name of this portrait is called “A Smoke Backstage.” This is an trompe l’oeil painting. The painting is made to look real. It’s french for “fool the eye.” Paintings like this impress me because they look real. It’s dimensions are 78.5. Some of the elements I’ll be talking about are line, shape, texture, color, emphasis, and movement. These aspects are covered in chapter four and five.

The first element of art I will be telling about is line. In this painting, line is being used in a variety of ways. The line of the table, is setting the boundary for this picture. The package and newspaper help define the three-dimensional view. The part that you inhale through the pipe helps set the line and completes the pipe and definition.

Shape is also a very important element used in this painting. By looking at the painting, I could see the shape at the base of the pipe. From the colors and textures apart from the base of the table. The pipe has more of a geometric shape. The tobacco package in the middle of the table is using up mass in the painting.

I think there is a variety of texture being used. First, the actual textures in the painting is the table, newspaper, and the long end of the pipe. There smooth and we could feel them by touching. The simulated textures in the painting would be the opened end of the tobacco package, the tobacco at the end of the pipe, and the pipe in general. It looks real, but if we would touch it, it would feel like smooth paint.




By looking at this picture, I found that it had a lot of linear perspective and atmospherical perspective. This painting has a foreground, middle ground, and a background. The newspaper appears closer in the foreground and they tend to decrease in size and vanish off into the background. There is a lot of wide variety of color and detail in the foreground of this painting which is also known as atmospherical perspective. Because the changing of color, value, and detail gives it an illusion of depth.

By observing and studying this picture, I also found that a variety of colors are being used throughout the painting. Color is mostly being used in the middle of the painting. The colors are light blue, cream, yellow, brown, and dark brown. The light blue is a nice contrast compared to all the dark colors.

There is also a lot of emphasis and subordination that is being used throughout this painting. The figure that drew my attention to this picture was the pipe leaning up against the tobacco box. This is a form called focal point. I think the newspaper was a subordination. It helped create a neutral area of lesser interest that kept me from being distracted from areas of less emphasis.

Movement is also another key aspect in this painting. Movement is occurring from the bottom of the painting to the top. The pipe extending from the bottom left to all the way back to the top right. Directional force is causing me to look from the bottom of the picture to the top.

By looking at this painting, I have come to the conclusion that this is a form of representational art. Most of William Harnett’s paintings are personally expressive. I don’t know what the meaning of this painting means, but I’m guessing it’s representing a place to relax.



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Untitled

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Life is a journey, not a destination. Alison, my advisor at Grove School, gave me that guidance soon after I arrived. I never understood how true that statement was until I decided to make my life a journey that would be unforgettable. I chose to make an impact on how I live everyday. I did not always hold this conviction, and I certainly did not always live with this mindset. I arrived at Grove School, a therapeutic boarding community, and wished that my time as a student would quickly fly by. Arriving at Grove’s door before my sophomore year, I felt trapped in a state of mind that I knew was not positive but I did not see the way to escape. This represented to me both the beginning of a road and also a place that may be safe. I knew that there was a possibility that the school offered a chance to get away from all the pain of being a freshman that was forced to deal with issues of acceptance, anxiety, and isolation on a grand scale in all aspects of life. I had experienced in one short year the sadness of divorce, death, and dislocation and had been left with low self-esteem and a negative reaction to an environment that was not comfortable or nurturing. I wanted to start fresh at this new school, quickly fix myself and get on with life as a “normal” teen-age student. I did not realize at that point that my journey of self-healing was just beginning.

Over the course of those two years, I went through a number of the stages of development and I learned to cope with the “death” of my old self and to re-emerge as a person with a new perspective. Struggling to work hard academically, emotionally, and socially everyday taught me that I could thrive and not just survive as a young adult. The change was gradual, but it was conscious. Before I left Grove, I decided to write a goodbye speech to share my newfound perspective on life. This is what my journey has taught me.

… Life is beautiful. Look outside at anything, whether it is a tree, a rock or the rain. Realize that what you have around you is why life is worth living. As clich�d as it might sound, live everyday as if it were your last. Not because it might be but because there is so much to experience and live for. Don’t be afraid to be who you are and learn to love and be proud enough to show it. There is a rhythm and a pattern to life and once you learn to accept and embrace, you will see what I am talking about. As I started this speech, I had said that I always wished for time to just fly by. This past month I begged it to crawl so that I might cherish my last few times with the people around me. But even as I leave, I still wish for time to just take its time, so that my life can be lived in every moment for what it is worth. Never forget that life is beautiful.






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