Kiwa – Maori Art at the Spirit Wrestler Gallery: A Review

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The Spirit Wrestler Gallery is currently exhibiting contemporary Maori art; the show is called Kiwa Pacific Connections - Maori Art from Aotearoa. I became interested in attending this exhibition after the artists made a presentation at Emily Carr, giving us an overview of their culture and their art. The Maori are the indigenous people of New Zealand, and have existed and been producing art since 1000 AD. However, the art at Spirit Wrestler Gallery is showcasing contemporary Maori art from artists living today. That is not to say that the art does has completely lost touch with its roots, infact, most of the work celebrates traditional Maori art and culture.

The majority of art at the gallery is sculpture and carvings made from wood, but also ceramic sculpture, weaving, jewelry, and painting.

I became particularly interested in several ceramic sculptures, about 60 cm. in height, which appeared to be abstract female forms. The ceramic was made to look like stone, and the figure was very rounded looking and simple, bearing a close resemblance to the Venus of Willendorf, historically one of the first artworks, from the Paleolithic times (5 000 to 1 000 BC). This made me think of the connections between the two. Both were very rounded looking female forms, which is generally associated with the idea of fertility. The idea of fertility was evident in quite a number of the pieces of the gallery. As well as the ceramic sculptures, there were several weaved bodices � showing large stomachs and breasts.

Another strong aspect of the art at the gallery was the idea of conceptual vs. optical art. Many wood sculptures, baring resemblance to Haida art, were very conceptual, that is to say, they did not look realistic. They were portraits of beings that looked both animal and human at the same time.




A major theme in the contemporary Maori art is an appreciation of the traditions of the art culture of the Maori people, and also the idea of representation in a conceptual way where the idea is more important than a realistic, or optical, depiction.



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